Lorraine Tady may seem a bit shy or reserved in person, but her work is not. I am not very good about using words to describe why I love a work of art, but I will try. This piece for its small size is packed with rich energy. The details and use of structural elements, which I have dealt with while restoring the inside and outside of my little home, speak to me. It may seem chaotic, but there’s a plan, there are layers, it’s going to work and why not have fun while we’re at it.
In Tady’s own words: In my work mechanical-like systems are subjected to or are participants in an indirect and formal examination of structure; or a subverted diagrammatic, engineering process. Parts are extracted, analyzed, and re-translated, using both digital and analog tools. I propose questions in the investigation and set up specific games, parameters and rules to respond to in the work’s progression. The language of line propels the work, and I use it to help make visible the parts, and to find the answer to ‘what connects to this, how is this connected to that, etc.
I own two more pieces by Tady which I blogged about in a previous post. They were part of a larger group, but I could only afford the two. They were created in 1995 and have a different sensibility from the one shown above.