Welcome to the third reincarnation of smallrooms®. This new version doesn’t start with a fancy entry page, but instead opens directly with the journal. The entire site, for the most part, has the same information and images as the 2012 design. But in this reincarnation, the images are larger and sharper, and the overall design is cleaner and less blog-like. Additionally, the copy is set with a sophisticated web font at a larger and looser scale, making it much easier to read. Please remember that smallrooms® is a journal and will always be an evolving work-in-progress.
What’s in the bag this year? One mummy gummy, one orange glow bracelet, circus fleas, one alien in a test tube full of slime, two chocolate skulls, and last but not least, a glow-in-the-dark stretchy flying snot rocket. The snot rocket should come with directions but doesn’t, so watch out for pete’s sake.
Here’s the progress as of Friday, September 15. The interiors have now been painted, the stair bannisters and counter tops are now in place, the water pipes are now connected to the well, and the house now has electricity. The tiling of the kitchen backsplash, bathrooms, and hearth had just began on the day I was there, and as of last week, Friday, October 6, all of this had been completed. This week, the light fixtures and door hardware, which are there and waiting, should be installed, and I will also be ordering all the appliances. Unfortunately, we’ll have to wait to place them until after the floor has been stained. The septic system should also be installed soon. The poor guy who will be doing this had to wait until all the water pipe and electrical trenching had been completed.
And Then There Were None is a 2015 British-American murder mystery based on Agatha Christie’s novel of the same name. Rewritten and adapted for the small screen by Sarah Phelps, the three-part series needed to reflect the subject matter, wrong-doers being picked off one by one on a remote island. The house and its interiors played a very important part by evoking an eerie, but elegant, atmosphere. So I purchased the DVD in order to capture stills and study the wonderful interiors. I also wondered how the production designer Sophie Becher and her team accomplished this. What I discovered, I will now share with you.
The fifth and final site plan concept. The wood steps down from the porch have to end in a wood landing because the landing will be about 2′ above the slope below. This is too much grade change for the lower steps. From that landing down to the parking area are formed concrete steps with stone veneer applied to the top surface. There are two identical runs of steps (4 risers and 3 treads) and one 4′ x 4′ landing. We may not need the retaining wall you see near the bottom of the slope, because the lower steps are now going to be formed concrete.
Michael Parkey, the landscape architect, is currently tweaking this concept, and the final site plan should be ready for me to show you in a couple of weeks. Stay tuned.
Here’s the progress as of Thursday, June 29. All the cabinetry had been installed, and the carpenter was informed on how to proceed with the trim work. The painter applied floor stain samples and interior paint colors for our approval. Unfortunately the floor stain was not at all what it was suppose to be, but the selected interior wall, ceiling, and window/door trim colors were perfect. The design and materials for the front steps and the descent down to the driveway were finalized, and one final site survey was done. I know I’m forgetting several somethings, but the following photographs should illustrate how far things have progressed.
My landscape architect’s accompanying letter:
Attached are three sketches for the driveway, parking, and porch steps.
There are two major problems that we are trying to solve. The first is the elevation change from the finish floor height (FF) of the house (assumed to be 100.0′) and the garage and parking area. The difference is about 10 feet. The second is the tight maneuvering space for cars between the garage and the house.
Last week we all met at Tumble Moon to go over wood floor options, exterior colors, and interior paint, tile, and countertop colors. And most importantly to work out the site’s grading and how to develop the approach to the front of the house, which I will cover in a future post.
Before the world went mad in 1914, my grandfather as a young man, with change in his pocket, did some adventurous traveling. I’ve always loved this photo, because it’s the only one of him that indicates that he may have had a sense of fun and a less-than-serious side to him. We never knew him this way. He was always the staunch general to us.
I’ve let April slip by without feeding this blog because of reasons I don’t want to get into. I am now back on track.
The house is now a structural reality. Charley McKenney and I met the general contractor Pat Fuhrmann today along with his subs to go over the custom cabinetry and the electrical needs for my tiny house. It was perfect spring weather with an incredible cross breeze blowing through the window and door openings. And the views from the windows are even more spectacular than I had imagined. Again, I should have taken my fancy camera with a zoom lens, but instead shot the following photos with my iPhone.
The artist is unknown, and it wasn’t a gallery purchase, but after three decades, it’s still one of my favorites. Two friends of mine were honeymooning in Mexico in 1986, when their cab driver on finding out they were architects pulled over to show them his collection of watercolors he had stashed in the trunk. Ellen and Karl were so impressed, they bought a few. And I was lucky enough to be given one of them on my birthday.
I’ve lost touch with Ellen and Karl, but perhaps someone from HKS Architects will read this and let them know I still think of them.